Products related to Film:
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Film, Form, and Culture
This fifth edition of Film, Form, and Culture offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative.Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture.Over 265 images provide a visual index to the films and issues being discussed.This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). This textbook is an invaluable and exciting resource for students beginning film studies at undergraduate level. Additional resources for students and teachers can be found on the eResource, which includes case studies, discussion questions, and links to useful websites.
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Film, In Theory : The BFI Education Department and Film Culture
Film, in Theory tells the story of Paddy Whannel and Peter Wollen's revolutionary work at the BFI’s Education Department and how this led to the establishment of film studies, theory and education in Britain during the 1960s and 1970s. Colm McAuliffe explores how Whannel and Wollen worked together to re-fashion the BFI as a modern and progressive laboratory of ideas, hosting experimental seminars, revamping BFI Summer Schools, and launching the Cinema One series (co-edited by Whannel and Penelope Houston, editor of Sight & Sound magazine).Through extensive archival research and interviews with key figures, McAuliffe explores how the department became "a crucible for the future of film theory."He recounts how they transformed Screen from a teachers' journal into a theoretical publication, where a form of feminist film critique, led by Claire Johnston and Laura Mulvey, emerged.Johnston, Mulvey, and other feminist theorists were integral to the formation of a women's counter-cinema and, alongside Whannel and Wollen, sparked not just the birth of film studies, but an intellectual revolution.This book traces contemporary critiques of normativity—regarding race, gender, and sexuality—back to the heated debates that marked the opening up of film studies during the intellectually vibrant Sixties.
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Downtown Film and TV Culture 1975-2001
Downtown Film and TV Culture 1975–2001 brings together essays by filmmakers, exhibitors, cultural critics and scholars from multiple generations of the New York Downtown scene to illuminate individual films and filmmakers and explore the creation of a Downtown Canon, the impact of AIDS on younger filmmakers, community access to cable television broadcasts, and the impact of the historic downtown scene on contemporary experimental culture.The book includes J. Hoberman’s essay ‘No Wavelength: The Parapunk Underground’, as well as historical essays by Tony Conrad and Lynne Tillman, interviews with filmmakers Bette Gordon and Beth B, and essays by Ivan Kral and Nick Zedd.
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Spain - Culture Smart! : The Essential Guide to Customs & Culture
Don't just see the sights-get to know the people. In the popular imagination Spain conjures up a picture of rapacious conquistadores, fiery flamenco dancers, and brilliant artists.All true enough but how closely does everyday life in modern Spain conform to these dramatic stereotypes?Culture Smart!Spain explores the complex human realities of contemporary Spanish life.It describes how Spain s history and geography have created both strongly felt regional differences and shared values and attitudes.It reveals what the Spaniards are like at home, and in business, how they socialize, and how to build lasting relationships with them.The better you understand the Spanish people, the more you will be enriched by your experience of this vital, warm, and varied country where the individual is important, and the enjoyment of life is paramount. Have a more meaningful and successful time abroad through a better understanding of the local culture.Chapters on values, attitudes, customs, and daily life will help you make the most of your visit, while tips on etiquette and communication will help you navigate unfamiliar situations and avoid faux pas.
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How much do soccer players in the lower professional leagues earn?
Soccer players in the lower professional leagues typically earn a wide range of salaries, with some players earning as little as a few hundred dollars per week, while others may earn a few thousand dollars per week. The exact amount can vary depending on factors such as the player's experience, skill level, and the financial resources of the team. In general, players in the lower professional leagues do not earn as much as those in the top-tier leagues, but they can still make a living from playing soccer.
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Which equipment is better for a short film?
The best equipment for a short film depends on the specific needs and vision of the filmmaker. However, in general, a high-quality digital camera with good low-light performance and the ability to shoot in 4K resolution is essential. Additionally, a versatile lens kit, a stabilizing rig or tripod, and a quality microphone for capturing clear audio are also important. Ultimately, the best equipment for a short film is the one that allows the filmmaker to effectively capture their vision and tell their story.
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What is your opinion on the current film culture?
I believe that the current film culture is diverse and dynamic, with a wide range of genres and styles being explored by filmmakers. There is a growing emphasis on representation and diversity in storytelling, which is leading to more inclusive and authentic narratives being told on screen. Additionally, the rise of streaming platforms has provided more opportunities for independent filmmakers to showcase their work and reach a wider audience. Overall, I think the current film culture is exciting and evolving, with a lot of potential for innovation and creativity.
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Why do Minecraft players only film their hands?
Minecraft players often film their hands while playing the game to provide a first-person perspective for their audience. This allows viewers to see the player's actions and movements as if they were the ones playing the game. It also helps to create a more immersive experience for the audience, as they can see the game being played from the player's point of view. Additionally, filming the hands allows players to showcase their skills and strategies in the game, making it more engaging for their viewers.
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Technology and the Making of Experimental Film Culture
The Bolex camera, 16mm reversal film stocks, commercial film laboratories, and low-budget optical printers were the small-gauge media technologies that provided the infrastructure for experimental filmmaking at the height of its cultural impact.Technology and the Making of Experimental Film Culture examines how the avant-garde embraced these material resources and invested them with meanings and values adjacent to those of semiprofessional film culture.By reasserting the physicality of the body in making time-lapse and kinesthetic sequences with the Bolex, filmmakers conversed with other art forms and integrated broader spheres of humanistic and scientific inquiry into their artistic process.Drawing from the photographic qualities of stocks such as Tri-X and Kodachrome, they discovered pliant metaphors that allowed them to connect their artistic practice to metaphysics, spiritualism, and Hollywood excess.By framing film labs as mystical or adversarial, they cultivated an oppositionality that valorized control over the artistic process. And by using the optical printer as a tool for excavating latent meaning out of found footage, they posited the reworking of images as fundamental to the exploration of personal and cultural identity.Providing a wealth of new detail about the making of canonized avant-garde classics by such luminaries as Carolee Schneemann, Jack Smith, and Stan Brakhage, as well as rediscovering works from overlooked artists such as Chick Strand, Amy Halpern, and Gunvor Nelson, Technology and the Making of Experimental Film Culture uses technology as a lens for examining the process of making: where ideas come from, how they are put into practice, and how arguments about those ideas foster cultural and artistic commitments and communities.
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Resistance in Indian Documentary Film : Aesthetics, Culture and Practice
While sizable literature exists on the themes, issues and voices that constitute resistance in historical Indian documentary cinema, less is known about contemporary modes of resistance in Indian documentary.This volume identifies languages and practices of resistance constructed by Indian documentary practitioners located in contemporary global and national contexts organised by majoritarian political discourse, rising social inequalities, tightening media regulatory mechanisms and variable access to digital technologies.Extending its analytical lens beyond textual politics, the volume offers an original conceptualisation of how we identify, mobilise, and recuperate acts of resistance as both represented in documentary and those represented by the organisation of documentary practice e.g., documentary exhibition, curation, education, and criticism.Combining scholarly essays and practitioner writing, the volume offers a timely reconsideration of how central debates and issues of power and representation in documentary may be studied as objects of analysis and as subjective accounts of individual experience, decisions, and actions relating to documentary aesthetics and practice.
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Film History and Screen Culture in and beyond Greater China
Bringing together work from established and emerging scholars and practitioners from around the world, this collection expands existing scholarship on cinemas of the Sinosphere by revealing forgotten and emerging aspects of film history. Organised chronologically, individual chapters cover geographic regions of mainland China, Hong Kong, and Taiwan to engage with key issues of film history and screen politics that are overlooked by the traditional canon of Chinese cinema.Tackling key debates on (post)colonialism, (cold)war, and their sociopolitical impacts on screen culture in these regions, this collection challenges the binary paradigms that are perpetuated in the historical scholarship of Chinese cinema, such as left-wing and right-wing cinema, commercial entertainment and political propaganda films, and mass consumption of genre films versus the critical acclaim of New Wave auteurism.Together, the essays reveal the cultural mobility across different geographic and sociopolitical borders, their intertwined experience of the past, and historical events’ impact on contemporary filmmaking and screen cultures. This collection will be of interest to students and researchers of Film, Media, and Cultural Studies as well as Asian Studies and Chinese Studies.
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Danish and German Silent Cinema : Towards a Common Film Culture
Analyses the cultural exchange of two important and highly entangled European film nations of the silent eraPresents new insights on famous films and stars like Asta Nielsen, Olaf F nss, and Pat & Patachon (also known as Long & Short)Employs diverse perspectives: production and distribution history, international cultural relations, celebrity studies, aesthetic analysisBased on extensive archival research in Germany and the Scandinavian countriesDiscusses the concept of national cinema and film historiography from an entangled film history perspectiveThe book examines how Danish and German film interacted with one another from 1910 through World War I till the advent of sound around 1930.The film businesses of the two countries were closely connected, and many film professionals crossed back and forth across national borders. The studies in this book include production and distribution history, censorship, celebrity studies, and aesthetic analysis.They contribute to European film and cultural history through extensive empirical investigation of films, persons and companies.The underlying perspective is that of entangled film history, an approach that stresses cross-border interchanges and mutual influences.Written by an international team of scholars, the book marks the conclusion of a four-year collective research project running alongside the stumfilm.dk initiative to digitise the entire Danish silent film heritage.
Price: 90.00 £ | Shipping*: 0.00 £
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Do male soccer players like female soccer players?
Male soccer players may have varying opinions on female soccer players, just like any other group of individuals. Some male soccer players may have a great deal of respect and admiration for female soccer players, appreciating their skills and dedication to the sport. Others may not have a strong opinion one way or the other, while some may hold negative attitudes towards female soccer players due to stereotypes or biases. Overall, it is important to remember that individuals' attitudes towards female soccer players can vary widely and should not be generalized.
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Do male soccer players support female soccer players?
Yes, many male soccer players do support female soccer players. Some male players have spoken out in support of equal pay and opportunities for female players, and have advocated for more investment and recognition for women's soccer. Additionally, male players have also shown support by attending women's soccer matches, promoting women's games on social media, and speaking out against discrimination and sexism in the sport. Overall, there is a growing movement within the soccer community to support and uplift female players.
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Which film is the twin film?
The twin film of a particular movie is another film that shares similar themes, plot points, or visual elements. For example, the twin film of "Armageddon" is "Deep Impact," as both movies were released in 1998 and revolve around the threat of an asteroid hitting Earth. Twin films often arise due to coincidental similarities or because of studios rushing to capitalize on a popular trend in the film industry.
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Do male soccer players stand up for female soccer players?
Male soccer players have shown support for female soccer players in various ways, such as speaking out against gender discrimination in the sport, advocating for equal pay, and publicly expressing their admiration for the skill and talent of female players. However, there is still work to be done in terms of male players actively standing up for their female counterparts in the face of sexism and inequality within the soccer world. While some male players have been vocal allies, more widespread and consistent support is needed to truly create a more equitable and inclusive environment for female soccer players.
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