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The Networked Image in Post-Digital Culture
This collection examines how the networked image establishes new social practices for the user and presents new challenges for cultural practitioners engaged in making, curating, teaching, exhibiting, archiving and preserving born-digital objects. The mode of vision and imaging, established through photography over the previous two centuries, has and continues to be radically reconfigured by a hybrid of algorithms, computing, programmed capture and display devices, and an array of online platforms.The image under these new conditions is filtered, fluid, fleeting, permeable, mobile and distributed and is changing our ways of seeing.The chapters in this volume are the outcome of research conducted at the Centre for the Study of the Networked Image (CSNI) and its collaboration with The Photographers’ Gallery over the last ten years.The book's contributors investigate radical changes in the meanings and values of hybridised media in socio-technical networks and speak to the creeping automation of culture through applications of AI, social media platforms and the financialisation of data. This interdisciplinary collection draws upon media and cultural studies, art history, art practice, photographic theory, user design, animation, museology and computer science as a way of making sense of the specific cultural consequences of the rapid succession of changes in image technologies and to bring the story up to date.It will be of particular interest to scholars and students of visual culture, media studies and photography.
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Image Science : Iconology, Visual Culture, and Media Aesthetics
Almost thirty years ago, W. J. T. Mitchell's Iconology helped launch the interdisciplinary study of visual media, now a central feature of the humanities.Along with his subsequent Picture Theory and What Do Pictures Want?, Mitchell's now-classic work introduced such ideas as the pictorial turn, the image/picture distinction, the metapicture, and the biopicture.These key concepts imply an approach to images as true objects of investigation--”an "image science." Continuing with this influential line of thought, Image Science gathers Mitchell's most recent essays on media aesthetics, visual culture, and artistic symbolism.The chapters delve into such topics as the physics and biology of images, digital photography and realism, architecture and new media, and the occupation of space in contemporary popular uprisings.The book looks both backward at the emergence of iconology as a field and forward toward what might be possible if image science can indeed approach pictures the same way that empirical sciences approach natural phenomena. Essential for those involved with any aspect of visual media, Image Science is a brilliant call for a method of studying images that overcomes the "two-culture split" between the natural and human sciences.
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Image
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The Consumption of Culture 1600-1800 : Image, Object, Text
Culture does not become 'culture' until it is consumed.This is the radical new interpretation of early modern social history presented in The Consumption of Culture 1600-1800. Leading specialists from North America and Europe explore topics such as the formation of a culture consuming public, the development of a literary canon, the role of consumption in the formation of the modern state, elite and popular forms of cultural consumption and the place of women as consumers of culture.The result is an important and rich new approach to the study of the seventeenth and eighteenth centuries.
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How much do soccer players in the lower professional leagues earn?
Soccer players in the lower professional leagues typically earn a wide range of salaries, with some players earning as little as a few hundred dollars per week, while others may earn a few thousand dollars per week. The exact amount can vary depending on factors such as the player's experience, skill level, and the financial resources of the team. In general, players in the lower professional leagues do not earn as much as those in the top-tier leagues, but they can still make a living from playing soccer.
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Do male soccer players like female soccer players?
Male soccer players may have varying opinions on female soccer players, just like any other group of individuals. Some male soccer players may have a great deal of respect and admiration for female soccer players, appreciating their skills and dedication to the sport. Others may not have a strong opinion one way or the other, while some may hold negative attitudes towards female soccer players due to stereotypes or biases. Overall, it is important to remember that individuals' attitudes towards female soccer players can vary widely and should not be generalized.
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Do male soccer players support female soccer players?
Yes, many male soccer players do support female soccer players. Some male players have spoken out in support of equal pay and opportunities for female players, and have advocated for more investment and recognition for women's soccer. Additionally, male players have also shown support by attending women's soccer matches, promoting women's games on social media, and speaking out against discrimination and sexism in the sport. Overall, there is a growing movement within the soccer community to support and uplift female players.
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Do male soccer players stand up for female soccer players?
Male soccer players have shown support for female soccer players in various ways, such as speaking out against gender discrimination in the sport, advocating for equal pay, and publicly expressing their admiration for the skill and talent of female players. However, there is still work to be done in terms of male players actively standing up for their female counterparts in the face of sexism and inequality within the soccer world. While some male players have been vocal allies, more widespread and consistent support is needed to truly create a more equitable and inclusive environment for female soccer players.
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Ghost Image
Ghost Image is made up of sixty-three short essays - meditations, memories, fantasies, and stories bordering on prose poems - and not a single image.Herve Guibert's brief, literary rumination on photography was written in response to Roland Barthes' Camera Lucida, but its deeply personal contents go far beyond that canonical text.Some essays talk of Guibert's parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed.Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert's particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation.In one essay, Guibert searches through a cardboard box of family portraits for clues-answers, or even questions-about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, "I don't even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl." In other essays, he explains how he composes his photographs, and how - in writing - he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer.With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert's Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful - a unique memoir at the nexus of family, memory, desire, and photography.
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After Image
Years after a young woman’s mysterious disappearance, her stepsister is compelled to discover the truth in a novel of haunting psychological suspense. Four years ago, beautiful yet troubled Allie Andersen vanished without a trace.The twenty-one-year-old daughter of an acclaimed actress, her disappearance captivated the media, left her family distraught, and became a fixation for online theorists, who implicated everybody Allie knew and loved.Everyone, including her devoted stepsister, Natasha. Now, Natasha is finally trying to move on. The panic attacks and episodes of hysterical blindness she has suffered since her stepsister’s disappearance have diminished, and she no longer obsesses over the speculations of strangers.Until the remains of a young woman’s body are discovered in a lonely mountain canyon. As Natasha reconnects with the sympathetic Detective Ruiz, inexplicable pieces of evidence surface that open her eyes to a family she thought she knew.It seems that everyone in Allie’s life had a credible motive for wanting Allie to vanish.Following each new clue, Natasha is determined to finally find the truth, wherever it leads, and whatever the cost.
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Image Managment
The networked image is a slice of network production that is emblematic of the current image economy. As a hub within a techno-social infrastructure it manages the network as a directive tool. This is a result of its existence within a production protocol that is programmed by technologies such as web applications, digital cameras and smartphone apps. Since networked images are part of a specific software, they are marked by software proper- ties, which enables them to be transformed into scripts or protocol.Image management discusses a move from images as representation, to the application of images as productive networked objects. It is about the role of the image as mediator between technological and social protocols.
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Another Lens : Photography and the Emergence of Image Culture
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How can one conduct an image observation, image analysis, and image interpretation?
To conduct an image observation, one must carefully examine the image, noting details such as colors, shapes, textures, and patterns. Image analysis involves breaking down the image into its components and identifying relationships between them. This can include identifying the subject, composition, and any symbolism present in the image. Finally, image interpretation involves making meaning out of the observations and analysis, considering the context in which the image was created and the emotions or messages it may convey.
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What types of leagues exist in women's soccer?
There are various types of leagues in women's soccer, including professional leagues, semi-professional leagues, and amateur leagues. Professional leagues, such as the National Women's Soccer League (NWSL) in the United States and the Women's Super League (WSL) in England, feature top-tier teams with paid players. Semi-professional leagues, like the Women's Premier Soccer League (WPSL) in the US, offer a competitive environment for players looking to develop their skills. Amateur leagues cater to players who participate in soccer for recreational purposes and may not receive payment for their participation.
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Should female soccer players earn as much as male soccer players?
Yes, female soccer players should earn as much as male soccer players. Both genders put in the same amount of effort, dedication, and skill into their sport, so they should be compensated equally. Gender should not be a determining factor in how much a player is paid, but rather their performance and contribution to the team. Pay equality in sports is essential for promoting gender equality and breaking down stereotypes.
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Are soccer players softies?
Soccer players are not softies. They are highly skilled athletes who endure rigorous training and physical demands to compete at the highest level. They often face intense physical challenges on the field and are known for their resilience and toughness. Additionally, soccer is a physically demanding sport that requires strength, agility, and endurance, and players must be mentally and physically tough to succeed. Therefore, it is unfair to label soccer players as softies.
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